Mary Magdalene is depicted kneeling, her bust tilted forward. Her right hand is resting on her right knee, while her left hand is placed over her heart as a sign of piety. Her posture can also be interpreted as one of prayer, recollection or penitence. Her eyes are closed and her face is turned downwards, so her expression seems slightly concealed. Her long, thick hair (her attribute) covers her shoulders and flows down her sides.
The figure is dressed in a long-sleeved gown, devoid of any decoration apart from an embroidered motif sewn into the collar. The wet rendering of the fabric makes it difficult to distinguish between his skin and his garment. The thickness of the fabric is only perceptible on the sleeves, perhaps to draw attention to her hands.
This sculpture reflects a simplification of form and modeling. The texture is smooth, with the hair and fabric hollowed out to add relief. The base, on the other hand, is marked by the jolts caused by the various sculpting tools.
The whole sculpture is harmonious, integrating movement through Mary Magdalene's slightly curved position.